Distortion Pedals

The Mainframe provides sample rate reduction ranging from 48kHz to 110Hz. A little background… the sample rate is the number of times per second that a sample or snapshot of an analog signal is taken. For example, CDs (remember them?) had a sample...

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations...

AUTHENTIC AMP STACK SOUNDS FROM A STOMPBOXFrom fat crunch to ultra high-gain distortion, the ST-2 Power Stack delivers famous BOSS distortion with a stunning amount of power that’s akin to coveted tube amps and professional amp stacks. The SOUND...

A Metal Legend Returns Produced from 1983 to 1991, the BOSS HM-2 Heavy Metal is a true legend in the history of distortion pedals. Its signature “chainsaw tone” with all knobs maxed is the defining voice of Swedish death metal, and the...

The Classic BOSS Distortion, Enhanced with Waza Craftsmanship Introduced in 1978 among the earliest models in the BOSS compact series, the orange DS-1 redefined the sound of distortion and remains as influential today as ever. Its hard-edged attack and...

SPECIAL EDITION BOSS PEDAL WITH PREMIUM TONE The DS-1X launches the famous BOSS distortion into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35...

Originally designed by Josh Scott of JHS Pedals and graphic designer, Daniel Danger as a homage to Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz is a nano-sized version...

For over 25 years, the MT-2 Metal Zone has been one of the most popular and influential compact pedals in the BOSS lineup, with overall sales that are second only to the venerable DS-1 Distortion. Made in Japan and infused with Waza Craft mojo, the MT-2W...

We have reissued the original Version 1 Big Muff and it’s dripping with vintage Electro-Harmonix DNA and tone. Dubbed the Triangle Big Muff because of the layout of its Volume, Sustain and Tone controls, this is the one that started it all. The new...

Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, we’ve added some extras for those who crave more sound shaping control. Introducing the...

What’s your fetish? Blues? Classic Rock? Modern Rock? ISP Technologies has got you covered with the new Fetish™ Distortion/Overdrive Pedal. With a year of testing the design and utilizing field effect transistors for tube like dynamics, the Fetish Pedal...